It’s 2015, and we’re halfway through this decade. My 48th birthday has come and gone. Having been born in January, my years have always lined up with the calendar. I find myself reflecting on my last five years.
My body has begun to show signs of wear and tear. When I turned 43, my body still felt young, but shortly thereafter the long slow decline into decrepitude began. I would still qualify myself as fairly fit, and I’m grateful for my good health. But there’s no denying that I ain’t what I used to be. My thinning hair is proof enough.
It’s been a time of spiritual reawakening for me. I’ve written about this process extensively, yet I feel I’ve barely scratched the surface. It’s also been a time of artistic renewal. I’m finally writing some long-deferred projects, and I’ve actually got three pieces coming out in print this year. I’ve also been exhibiting photography: you can see my work on the wall of Skewer Gallery at Kebab.
My favorite so far is a collage I call “Native/Non-Native.”
The years have started to run together. Ask me about any year from 1985 to 2010 and I could tell you exactly what was going on in my life. Ask me about one of these recent years and I have to think for a moment. My memory’s changing, yes, but also it’s matter of settling into some rhythms and patterns. It’s a good thing, I think, but it confounds calendrical differentiation.
Which is kind of funny, because in fact 2014 was perhaps the most well-defined and documented year of my entire life. I started keeping a journal on the first day of 1984. On the first day of 2014, I realized I’d never been as consistent in my journal-writing as I was that first year. I’ll be damned if I let that 17-year-old punk get the better of me. I vowed to do better in 2014, and I did — 364 journal entries. I missed only one day.
Over the year of 2014 I also reviewed what I’d written on each day in past years. It was a year of intensive introspection and retrospection. I know myself better. Or perhaps I should say “myselves,” as despite my ardent desire for continuity, I can no longer deny it: I’m not the same person I was. These collages represent my multiplicity of selves.
Which do you prefer: the one at the top or the one at the bottom? (The one in the middle has a different raison d’être entirely.) Which is the better self-portrait?
It’s been an amazing journey, this life, and especially these last five years, and if it ended tomorrow I would die happy, but I certainly don’t want to die tomorrow. I’ve got a lot left to do.